The Strip: LAS VEGAS AND THE ARCHITECTURE OF THE AMERICAN DREAM
"A muscular, often funny book accessible to any lay reader... a bracing portrait of Las Vegas’s architectural arms race"
—Wall Street Journal (best books to read spring 2017)
“The story of its growth from a tiny fort, feebly fed by a few artesian wells, into today’s gilded palace of sin, is gripping – and it’s told ably... in Stefan Al’s book.”
—The Times Literary Supplement
"A tour of the Las Vegas Strip that is erudite, entertaining, and impossible to conduct in person... Al’s Las Vegas is a story of the American national identity."
—Publishers Weekly (starred review)
"The Strip is a well-told piece of narrative research that should grip both design and those who relish tales of capitalism and culture"
"Al keeps the book moving with anecdotes and insights that may take readers by surprise."
—Las Vegas Sun
"The Strip is a well-researched, well-organized, and important text... valuable to anyone who wants to understand or manage urban areas in the twenty-first century."
—Journal of Planning Education and Research
"Stefan Al looks beyond the Strip’s surface to explore multiple transformations from desert outpost to international mecca."
—Las Vegas Review-Journal
"A new visitor to Las Vegas... can't help but be overwhelmed by the mélange of architectural styles thrust cheektojowl against one another. Fortunately, Dutch architect Stefan Al is here with a new book, The Strip: Las Vegas and the Architecture of the American Dream, to unclutter the seeming chaos."
—The Santa Barbara Independent
“Finally, the book that explains Las Vegas without reducing it to a caricature. Nearly 45 years after Learning from Las Vegas, Stefan Al brings the history of this iconic American landscape up to date.”
—Margaret Crawford, Professor of Architecture, University of California, Berkeley
“The Strip takes a high-speed transect down one of the world’s most important streets as it evolved from a cowpath to the Las Vegas Strip, a tour which yields essential insights into larger American social dynamics.”
—William L. Fox, Director, Center for Art + Environment, Nevada Museum of Art
“A wonderfully observed account of the architectural development of the Strip at the singular, mesmerizing convergence of postwar car culture, mafia power, A-bomb blasts, suburbanism, libertinism, mass consumption, TV, LSD, and unself-conscious, hyperbolic kitsch—and its discontents. The Strip is a definitive account of their surreal spawn along an axis at once emblematic and truly weird.”
—Michael Sorkin, Distinguished Professor of Architecture, City College of New York
“This rich, lively historical account of the city’s experiments with architectural form show how Las Vegas—sometimes marvelous, sometimes dystopic, always shape shifting—has long served as a model for urban design and remains one today”
—Natasha Dow Schüll, Associate Professor of Media, Culture, and Communication, New York University; author of Addiction by Design: Machine Gambling in Las Vegas
“Al presents the city in all its complexity—brimming with extravagance, immorality, ambition, corruption, luck, and loss—providing the reader with an enlightening look into the history of Las Vegas as a cultural icon, and its phenomenal manifestation as a symbolic reflection of American culture.”
—Thom Mayne, FAIA, Distinguished Professor, Architecture and Urban Design, University of California, Los Angeles
The Las Vegas Strip cast itself as the Wild West, with saloon doors and wagon wheels, and decked itself out in midcentury modern sleekness; it installed twenty-story high neon signs, then junked them. Then came Disney-like theme parks featuring castles and pirates, followed by replicas of Venetian canals, New York skyscrapers, and the Eiffel Tower. (It might be noted that forty-two million people visited Las Vegas in 2015—ten million more than visited the real Paris.) More recently, the Strip decided to get classy, with casinos designed by famous architects and zillion-dollar collections of art. Las Vegas became the “implosion capital of the world” as developers, driven by competition, got rid of the old to make way for the new--offering a non-metaphorical definition of “creative destruction.” In The Strip, Stefan Al examines the many transformations of the Las Vegas Strip, arguing that they mirror America itself. The Strip is not, as popularly supposed, a display of architectural freaks but representative of architectural trends and a record of social, cultural, and economic change.
Al tells two, parallel, stories. He describes the feverish competition of Las Vegas developers to build the snazziest, most tourist-grabbing casinos and resorts--with a cast of characters including the mobster Bugsy Siegel, the eccentric billionaire Howard Hughes, and the would-be political kingmaker Sheldon Adelson. And he views the Strip in a larger social context, showing that it not only reflected trends but also magnified them and sometimes even initiated them. Generously illustrated with stunning color images throughout, The Strip traces the many metamorphoses of a city that offers a vivid projection of the American dream.
About the Author
Stefan Al, a Dutch architect and urban designer, is Associate Professor of Urban Design at the University of Pennsylvania. His books include Villages in the City and Mall City.